Echoes #14

A climactic sequence in James Gray's _Little Odessa_ echoes Christopher Walken's unforgettable entrance in Michael Cimino's _Heaven's Gate_.
Adam Cook

From Michael Cimino's Heaven's Gate (1980):

 From James Gray's Little Odessa (1994):

American murderers tearing through the fabric (from opposite sides; East meeting West) of their society in cinematic gestures, immor(t)alizing the spirit of violence—opening heaven's gate.

Part of our on-going series, Echoes.

Don't miss our latest features and interviews.

Sign up for the Notebook Weekly Edit newsletter.

Tags

EchoesJames GrayMichael CiminoColumns
2
Please sign up to add a new comment.

PREVIOUS FEATURES

@mubinotebook
Notebook is a daily, international film publication. Our mission is to guide film lovers searching, lost or adrift in an overwhelming sea of content. We offer text, images, sounds and video as critical maps, passways and illuminations to the worlds of contemporary and classic film. Notebook is a MUBI publication.

Contact

If you're interested in contributing to Notebook, please see our pitching guidelines. For all other inquiries, contact the editorial team.