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Ratings & Reviews

  1. Kenrick Block's rating of the film We Own the Night

    James Gray's films are so fucking powerful!

  2. vordven's rating of the film We Own the Night

  3. mauro's rating of the film We Own the Night

  4. HenriqueA's rating of the film We Own the Night

    Way too mellow in the end, but i really liked the movie overall. Phoenix is great and thank god they didn't give Whalberg too much screentime to fuck it up! Some tense shit going up here!

  5. Nelson Núñez's rating of the film We Own the Night

    James Gray is one of the best american filmmakers of the recent years. I love Little Odessa and Two Lovers, but this is my favorite movie of his body of work.

  6. Liam Peters's rating of the film We Own the Night

    A sensatonally staged, rain-drenched car chase notwithstanding, We Own The Night is an utter mess of a film. Lacking real tension, the film suffers at the hands of Gray's pointless script, Phoenix's dribbling mess of a performance and a real waste of some talent in smaller roles. When a film makes even one of the greats in Duvall look ordinary you know something is wrong. Tedious and utterly disappointing.

  7. S Campbell's rating of the film We Own the Night

    A hark back to the days of gritty 70s thrillers director James Gray is fast beoming a director who makes interesting films which slip under the radar

  8. Jose Sarmiento Hinojosa's rating of the film We Own the Night

    When Eastwood dies, Gray will be the last american hope. At least in hollywood.

  9. Ulrich JARLØV's rating of the film We Own the Night

    Cop films bore me - even the so-called classics. And "We Own The Night" does nothing to change that. It does, however, have a phenomenal opening: Phoenix fingering Mendes to one of the best songs of the 70s, Heart Of Glass. You can't beat an opening like that, that's a bold way to start your film. The car chase scene in the rain stands out as well...

  10. Leilani Holmes's rating of the film We Own the Night

    An incredible film with a point of view shift that rocks the moral compass of the viewer, and is furthermore, beautifully shot, edited and scored. It certainly scored with me.

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