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James Gray United States, 2007

Duncan Jones's rating of the film We Own the Night

No one makes action sequences as moral as James Gray. As in The Yards' hospital scene, this film's set pieces evoke empathy rather than detached suspense, privileging emotion over the fetishising of physical reality. Vicious POVs ground us in hellish isolation while the objective shots deny any succinct sense of space. The car chase is chaotic to the point of producing a serene helplessness I've never felt before.