Another great piece by Gray. Like The immigrant, this one too has nothing new to say; but the elegance of the mise-en-scène, the precision of framing and rythm, the gravitas of characters and dialogue–his direction is so solid, so charming, that he could sell the same old story over and over and get away with it. Wonder what he could do with a less predictable screenplay–but maybe that's not what he's interested in.
We use cookies to ensure that we give you the best experience on our website. Click Here for more information.
