Beautiful, interesting, incredible cinema.
Shot in suitably high-contrast black and white, Ken is closer in style and tone to the seishun eiga and the early works of the Japanese New Wave than to any of Misumi’s own chanbara films.
Shot in suitably high-contrast black and white, Ken is closer in style and tone to the seishun eiga and the early works of the Japanese New Wave than to any of Misumi’s own chanbara films.