As a student film, Tsangari is experimenting with different forms, using multiple formats, superimpositions and wild bursts of animation. Though an untamed work, it shows Tsangari’s interest in bodies as performance – as Petra has to turn her life into an act. She is generating memories for purchase, so everything she does, down to taking the hotel elevator, is mediated and posed for an imagined audience.
R. Emmet Sweeney
December 13, 2016