[Macao's approach to noir is] not a matter of merely updating the genre's codes, or of approaching it from a neoclassical perspective. Here, what triggers the film's atmosphere, what determines the tone it adopts, what breathes life into the genre, is what these two directors see in the city and then project onto their images. This is the defining gesture of The Last Time I Saw Macao, and the notion which is crucial to understanding how it works.
Cristina Álvarez López
December 1, 2012