Obviously perfect, in the sense of every shot having been meticulously organised; equally obviously problematic, in the sense that the camera lays siege to a passive, doll-like woman who's perceived as a freak. Used to bother me slightly, but it all came together on second viewing - esp. the way Polanski gives the heroine her own secret space and the way all the male characters are hopelessly turned on by her passivity, the film acknowledging its own male gaze and finally breaking beyond it.
Preston Wilder
March 24, 2015