In many ways [it] feels like a contemporary adaptation of Bresson’s The Devil, Probably. Bresson isn’t the only palpable influence; the formal rigor, staccato editing, and muted affect of the performances are also indebted to Straub/Huillet, while the narrative, structured around the existentially charged search for a central character who mysteriously vanishes, borrows from Antonioni’s L’Avventura.
Giovanni Marchini Camia
April 4, 2018