Beautiful, interesting, incredible cinema.
Shot by Mario Bava, this second film in Rossellini’s series of documentary-essays on the lives of creatures employs the same kind of revelatory, Cocteau-esque narration that the director used in Undersea Fantasy (Fantasia sottomarina, 1938).
Shot by Mario Bava, this second film in Rossellini’s series of documentary-essays on the lives of creatures employs the same kind of revelatory, Cocteau-esque narration that the director used in Undersea Fantasy (Fantasia sottomarina, 1938).