If our sense of reality, all appearance and disappearance, is based on the disappearance of time, Akerman's cinema by giving time the leading role, by making it visible, creates a monstrous (non-human) image of an additional reality: an image that occasionally becomes unbearable, a too much to bear for our common perception; an image that paralyses vision commonly understood as orientation and action and that invites instead intuition, in the Bergsonian sense of a deep apprehension of duration.
Chrysanthi Nigianni
July 1, 2013