The films of [Piñeiro] have, in scarcely a decade, swiftly become as internally networked and interrelated as those of Garrel throughout his life. The same ensemble of actors, the suite of variations on Shakespearean themes and situations, the playful interweavings from Rohmer and Rivette … it can veer toward cinephilepreciousness and even pretention, but here the level of inventiveness is kept high and fresh. An absolute delight, with some truly surprising and satisfying deviations.
Adrian Martin
December 22, 2017