Beautiful, interesting, incredible cinema.
When he shot Bienvenido Mr. Marshall, Berlanga was forbidden to include the village teacher’s dream on arrival of the Americans due to its erotic connotations. Fifty years later, the director has satisfied his frustration, but with a teacher who has nothing in common with the original.
When he shot Bienvenido Mr. Marshall, Berlanga was forbidden to include the village teacher’s dream on arrival of the Americans due to its erotic connotations. Fifty years later, the director has satisfied his frustration, but with a teacher who has nothing in common with the original.