The film ends on a note of ambivalence, an epilogue that emphasizes mortality: "Good or bad, handsome or ugly, rich or poor, they are all equal now." The statement might seem cynical in its evocation of death as the great leveler, but if Kubrick's final sentiment appears to undermine the value of the story he's told, the great care he takes with each shot elevates the poor, sad, beautiful fools mummified within his frame. Kubrick and Alcott's remarkable images are immortal.
Chris Wisniewski
December 29, 2011