Maurice Pialat’s cinema is traversed by the obvious: what is lived, said, invented discards in the “real” life and resonates – usually by shattering echoes – at one time or another, in movies.
Maurice Pialat’s cinema is traversed by the obvious: what is lived, said, invented discards in the “real” life and resonates – usually by shattering echoes – at one time or another, in movies.