From Gregg Araki to Wong Kar Wai, the ‘90s were alive with rich cinematic visions of youth and urban alienation. Tsai Ming-liang’s debut might be the best of both worlds: a cast of melancholy souls tirelessly search for themselves in Taipei’s streets and find what or may not be a false idol…
Winner of the Grand Jury Prize at Venice, Tsai Ming-liang’s Stray Dogs is an exceedingly beautiful and heartbreaking gem. The film brings out a rare intensity from its performers through its mise-en-scène, as incredible close-ups and audacious camera placements stun in this formal masterpiece.
Tsai Ming-liang and Lee Kang-sheng’s masterwork is one of their simplest and sweetest propositions. A dialogue-free ode to carnal and spiritual longing that speaks profoundly to our contemporary moment, Days is a film about kinship, healing, and curative connections that tingles with anticipation.
On a sleepless night in Hong Kong, Tsai Ming-liang took to the streets to shoot this soothing urban lullaby. Inspired by the popular Chinese song we hear onscreen, The Night is a new short from a cinematic titan, whose glistening nocturnal vignettes unfurl like the negative of a half-remembered day.
Featuring interviews with Hirokazu Kore-eda, Hou Hsiao-hsien, Wang Bing, Kiyoshi Kurosawa, and Jia Zhangke, this documentary portrait provides a thorough perspective on the landmark New Taiwanese Cinema. An essential document of one of 20th century cinema’s most significant chapters.
