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Photo of Pierre Clémenti
Photo of Pierre Clémenti

Pierre Clémenti

“A mainstream career? I could have survived in mainstream films, but that wasn’t my story. I have no regrets. I don’t have the will to be part of films that don’t even deserve to be made… I’ve always worked alone and I ruined nothing but myself.”

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    THE CONFORMIST

    Bernardo Bertolucci Italy, 1970

    Regularly hailed as one of the greatest films ever made (and rightly so), Bernardo Bertolucci’s supreme masterpiece is both a 70s political thriller and a surreal, highly sensual journey to Europe’s troubled past. It was a huge influence on Coppola for The Godfather, and is essential to this day.

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    LE PONT DU NORD

    Jacques Rivette France, 1981

    Enter the world of Jacques Rivette! In Le Pont du Nord, the New Wave critic-turned-filmmaker literally turns Paris into a game board, a treasure hunt ending in a nasty surprise. Is it real or imagined? A story of friendship? A paranoid conspiracy? Decide for yourself. Paris belongs to us.

    THE VIRGIN'S BED

    Philippe Garrel France, 1969

    From Philippe Garrel, a cinematic conflagration and re-invention of Biblical storytelling for a culture and an audience having just passed through the convulsions of May ’68. Unabashedly radical and ambitious, with an epoch-defining cast.

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