MUBI'de daha iyi deneyim için, tarayıcını güncelle.
Photo of Paul Atkins
“They have a method they refer to as 'the dogma' that involves shooting in the backlight, shooting in deep focus with wide-angle lenses, so you get the feeling you are actually there. On the Imax screen, you can scan around the image and decide what to look at. That's what we wanted.”
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