Natasha Braier

“Instead of a garden and pond, we worked minimally — around the runway is all black — and we created a conceptual interpretation of water using blue light. We were bouncing [the light] off mirrors, through water, I was doing everything I could to make it feel like water.(...)My first instincts were to shoot this on film because of the beauty and the skin tones — it’s more flattering on film and easier to make the girls look stunning.”