Inge Maux

The first in the Paradise thematic trilogy, Love starts the series of darkly comic tales about the human search for happiness, making bold connections between sex tourism and globalization through the lens of aging desire. The rounded lead character of contradictions is consistently fascinating.

At times recalling The Wrestler in its study of chasing faded fame, Rimini is a funny, sometimes vulgar and often moving tale of people struggling towards contentment despite lifetimes of disappointment. The film is a scathing character study about how easy it can be to commodify people’s lives.