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Photo of Gábor Medvigy

Gábor Medvigy

'[Calvert Journal on Gábor Medvigy] Medvigy’s hypnotic, roving camera delicately pirouettes through the light and shadows that suffocates the inhabitants of the film [Sátántangó]’s collectivised farm, lulling the audience into a catatonic state and immersing us unreservedly into [Béla] Tarr’s world.'
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