Photo of Lau Kar-leung
Photo of Lau Kar-leung

Lau Kar-leung

“To me, an action movie must have funny parts. Until then, kung fu movies always ended with a killing, a big slaughter. I said that I won’t do that. In my opinion, it is not necessary to destroy the villain to make the audience happy. A dyed-in-the-wool scoundrel who repented and found the righteous way could be just as good.”

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    THE 36TH CHAMBER OF SHAOLIN

    LAU KAR-LEUNG Hong Kong, 1978

    Martial arts movies don’t come more iconic than this kung fu masterpiece from director Lau Kar-leung. With an acute focus on the disciplines of combat, it’s the ultimate training film, as Gordon Liu’s lithe apprentice eschews the path of vengeance for one of grace and spiritual self-determination.

    THE 8 DIAGRAM POLE FIGHTER

    LAU KAR-LEUNG Hong Kong, 1984

    The 8 Diagram Pole Fighter may have arrived at the midpoint of Lau Kar-leung’s career, but it plays like a late-period reckoning with a genre he helped create. Possessing some of the action maestro’s finest set pieces, and steeped in spiritual exhaustion, this is kung fu’s answer to The Searchers.

    HEROES OF THE EAST

    LAU KAR-LEUNG Hong Kong, 1978

    Kung fu is pitted against Japanese fighting styles in this sparkling culture-clash romcom. Talked into a marriage of convenience, Gordon Liu meets his match in Yuka Mizuno’s feisty bride, while Lau Kar-leung shows why he’s the king of action staging, with some of the most dynamic battles on his CV.

    DIRTY HO

    LAU KAR-LEUNG Hong Kong, 1979

    An all-time great kung fu comedy from the virtuosic Lau Kar-leung, Dirty Ho boasts singular fight scenes that combine acrobatic elegance and zany slapstick. Facing formidable foes, all played by martial arts icons, Gordon Liu and Wong Yue make for a riotous duo of cheeky master and hapless sidekick.

    THE BOXER FROM SHANTUNG

    CHANG CHEH, HSUEH LI PAO Hong Kong, 1972

    What good are codes of honor in an unchivalrous world? It’s the key question for director Chang Cheh in this period crime epic. With action staging by choreographer supreme Lau Kar-leung, The Boxer from Shantung builds to a pyrrhic last stand that ranks among the bloodiest battles in the Shaw canon.

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