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Photo of Chantal Akerman
Photo of Chantal Akerman

Chantal Akerman

“When people ask me if I am a feminist film maker, I reply I am a woman and I also make films.”

Available to Watch

    NO HOME MOVIE

    Chantal Akerman Belgium, 2015

    In what would become Akerman’s final film, the great director returns home to visit her aging mother. Echoing the evocative portrait of female domesticity of her second feature, Jeanne Dielman, this masterpiece of intimacy is a profound reflection on family history and mother-daughter relations.

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    I DON'T BELONG ANYWHERE: THE CINEMA OF CHANTAL AKERMAN

    Marianne Lambert Belgium, 2015

    An encounter with director Chantal Akerman herself. Marianne Lambert, who worked on Almayer’s Folly, offers a personal exploration that ranges from her best known film, Jeanne Dielman, 23 Commerce Quay, 1080 Brussels, to discussing what ended up being her last, No Home Movie.

    ALMAYER'S FOLLY

    Chantal Akerman Belgium, 2011

    In her last narrative feature film, Chantal Akerman alternately structured an organic visual language—patient, intense, emotive long-takes—demonstrating a director’s complete command of form. An ambitious adaptation that refocuses and subverts its source material: the debut novel of Joseph Conrad.

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