The most elusive of the French New Wave filmmakers won the Critics Prize at Berlin for this late-career masterwork, which combines everyday realism with a sneaking air of conspiracy. With characters trapped between reality and its representation, Gang of Four casts an enigmatic look at duality.
Here’s another post-New Wave favorite, and one of Godard’s most philosophically inspired works. Marking his only collaboration with Gérard Depardieu, Oh, Woe Is Me fractures Greek myth and the detective tale to question love and spirit in a fallen world. Legends clash and a strange new film is born.
Before he won acclaim for Of Gods and Men, French actor-turned-director Xavier Beauvois scored with this excellent, layered police drama, featuring an award-winning performance from Nathalie Baye.
The third of a very fruitful on-going collaboration between French director Benoît Jacquot and young actress (and great director in her own right) Isild Le Besco, this gorgeous black and white paean to a post-New Wave era is an excited and poetic exploration of a youthful, searching free spirit.