Following his Cannes win for The Invisible Life of Euridice Gusmão, Karim Aïnouz returns with this intoxicating blend of travelogue, affective memoir, and personal memento mori. A poignant exploration of displacement and identity, Mariner of the Mountains shimmers with feelings of loss and longing.
Visar Morina’s multi-award-winning psychodrama craftily disorients the viewer’s eye to create a sense of paranoia and unrest. Adding excellent touches of dark humour, Morina constructs an uncompromising investigation of the immigrant experience and xenophobia within the urban middle class.
If The State I’m In was a new German cinema at its start, Christoph Hochhäusler’s combination financial drama and romance showcases its maturity. The setting is 21st century capitalism, the playing field, glass-walled skyscrapers and flats. But the stakes—life, happiness, love—are utterly human.
Genre conventions are retooled in Christoph Hochhäusler’s fifth feature, a political thriller engineered with all the slick ingenuity of Berlin’s glass and steel business districts. Corruption in those high places of late neoliberalism has rarely been rendered as cleverly and sexily as this.