“The greatest importance for this Biennale was to check, whether art is able to create substantial results in political life, in social life, in our collective reality. I didn’t think about economical results, which of course art creates. I had been thinking about certain political processes that people are involved in or conduct. The question was, if art is able to support actively such processes. That is, what the story was about, then my curatorial effort was to find and define these processes and to search for people who support them using artistic tools.”